The Art of Courtesans
- Mar 18
- 3 min read
Updated: Mar 23

Exploring the captivating history and cultural significance of courtesans sheds light on the intriguing artistry and diverse perceptions surrounding these women throughout different societies. A recent article on classy courtesans intrigued me to delve into the history of this small group of women. While some parts of society viewed them as sluts or whores, thinking about the art of a courtesan throughout history is intriguing. It's interesting to note that different cultures have assigned various names to them. The most common name in Japan is Geishas. Before the Geishas, there were the Oiran, considered the epitome of beauty, education, and artistic talents at the time. They exerted immense power; one could not interact with them without meeting three times and passing a test. The "Tayu" is the highest rank among Oiran. You don't choose her; she chooses you. If she selects you, you are forbidden to visit others. Oiran never reveal their real identities but names derived from poetry and literature but what amazes is the structure of order.
In one of my favourite cities in Europe, Venice, lived Veronica Franco, a remarkable 16th Century courtesan whose beauty was matched by her revolutionary spirit. This bold and fearless woman was not only celebrated for her exquisite beauty but also revered for her progressive ideas that transcended the norms of her era. Veronica fearlessly defied societal conventions by openly sharing her provocative poetry, displaying a remarkable level of courage and creativity. Adorned with the most exquisite dresses and trimmings, she truly stood out as a courtesan of her time. Marie Duplessis, the enigmatic French courtesan, continues to captivate hearts and minds with her tragic yet vibrant life story. Her influence on Giuseppe Verdi's opera "La Traviata" immortalizes her as a woman of glamour and complexity. Though her time on earth was brief, the legacy of Marie Duplessis lives on through the timeless portrayal of love, sacrifice, and passion in one of opera's most beloved works. In India, Tawaifs are considered highly sophisticated courtesans trained in dance, living flamboyant and luxurious lives. They controlled their own wealth, were fluent in reading and writing, and were well-versed in literature and politics. In the rich tapestry of Chinese history, references to courtesans can be traced back to as early as 771 BC, a time when kings and aristocrats indulged in the ownership of slave consorts. These women were not merely possessions but served as muses, dancers, and intimate companions to their masters. Fast forward to the era of the Han dynasty, where imperial rule saw a grand harem of consorts carefully curated and trained by court officials. These elegant women were not mere adornments; they were well-versed in the refined arts of music, painting, calligraphy, and poetry - pursuits that mirrored those entitled by scholars and high society ladies. You can then explore the fascinating world of Korean culture, where courtesans are revered as Kisaeng, adding a touch of exoticism.
The question is: what do they all have in common? These women are strong, powerful, and have spent years perfecting the art of seduction. Perhaps for some, it was a choice, while for others, it was a means to escape poverty. However their Art was never about them; it was about you. They are intelligent, cultured, and somewhat educated. However, they lead a challenging life, perhaps frowned upon by certain parts of society but embraced by high-society men who may not find such pleasure at home. They empower men, viewing their own bodies as works of art without shame. They observe your expressions, intuitively understand your desires, drawing you in and elevating the experience to an unprecedented level, leaving you craving more. I have immense respect for courtesans throughout history. The emotional depth and connection established by courtesans highlight the complexities of human desires and relationships, emphasizing the universal need for love and fulfilment. While one side may exude glamour, on the other side, there is a feeling of emptiness because what woman doesn't want to feel and be loved.
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